DRAWING, WRITING, ETC.:
–New Miscellany (2016-Present)
–Drawing Group (2015-Present)
–A slight so egregious it lingers beyond the dream (2015)
–The House without Orifices
–Oversized Beneath the Percolator
–Bonfire Night (2012)
–Whispers Project (2011-2012)
–Paolo vs. “The Man” (2011-2012)
–Dicework II (2008-2009)
–The Dead (2008)
–Dicework I (2008)
–The Messier Catalogue (2007)
–Brushstroke Diagrams (2006-2007)
–Tell Me What to Paint (2006)
Lives and works in Vancouver, Canada. Primarily interested in the following: a) Visual and textual lines; b) the antiseptic tempered by a quiver of the handmade; and c) the diagrammatic and/or explanatory, especially when cloaked in ostensible self-importance without necessarily being true, serious business. Adherence to stringent procedural methods allows for an iterative exploration of the above concepts ad infinitum [read more].
–Art for Life
–The Dead 2
–Hollingworth & Davie
–MAKE // BREAK // FIX
–The Pleasant Matthews
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I have contributed text to another Whispers Project mural, which reads: “If only the colors were a little different, this might feel like home.” This Whisper can be seen alongside other mural and graffiti art upon the sides of Little Mountain Gallery in Vancouver, Canada.
Whispers Project is a series of typographic murals located around Vancouver, and is coordinated by Eli Horn and Jordan Bent in collaboration with local writers.
THE MORNING OF THE SALE, EVERYONE WAS OUT THERE WAITING FOR THE DOORS TO OPEN. THEY ALL WANTED WHAT THEY’D SEEN IN THOSE PICTURES.
Whispers Project has updated its website with details about A Whisper at the Hotel Del Mar, a mural in Downtown Vancouver featuring text I wrote. Whispers Project explains that:
The Del Mar is a hotel downtown at 553 Hamilton Street well known for the owner’s stance that the building remain dedicated to providing low-income housing. It is also currently home to the Or Gallery, a foundational artistic institution in Vancouver, and already features a beautiful text piece by artist Kathryn Walter which emblazons the words “Unlimited growth increases the divide” across the building’s face.
Whispers Project is a series of typographic murals located around Vancouver, and is coordinated by Eli Horn and Jordan Bent in collaboration with local writers. The project is primarily concerned with expression and public space:
The Whispers were designed to reference the scale and style of commercial hand-lettering, but intended to communicate creative content instead of the commercial sales pitch. Enabled by barriers of economy and policy, the medium of advertising appears to have monopolized the realm of large-scale public communication. Despite the term ‘public space’ being commonly accepted as equating a sort of commons of the people, most of the physical property in our city is either privately owned, or highly regulated. While plenty of space has been made available for voices willing to pay (namely advertisers), the simple expression of an individual without economic means is rendered illegal.
There are currently two Whispers, and more are planned. Further information about each mural – as well as a map marking their locations – is available on the Whispers Project website.
Text that I contributed to Whispers Project has been installed as a mural at 553 Hamilton Street, Vancouver, Canada. Whispers Project is a series of typographic murals located around Vancouver, and is coordinated by Eli Horn and Jordan Bent in collaboration with local writers:
Obscured in their isolation the words gain new context from their surroundings and speak for more than a single author. Drawing on the finality of commercial hand-lettering and the immediacy of graffiti, Whispers will develop a language which is driven neither by capital nor dissent, but by the inquisitive exploration of human experience in this urban landscape.
“Tadeusz stops writing mid-word, not to sharpen his pencil – though it could do with sharpening – but rather because he just now realises he might finally understand the eagle-thing analogy Gregory incoherently expounded the other evening.”
2011. Watercolour on paper. 9.5 x 7 in.