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DRAWING, WRITING, ETC.:
–New Miscellany (2016-Present)
–A slight so egregious it lingers beyond the dream (2015)
–The House without Orifices
(2014)
–Oversized Beneath the Percolator
(2014)
–Untitled/Unpictured (2013-2014)
–Excerpts (2007-2012)
–Bonfire Night (2012)
–Whispers Project (2011-2012)
–Paolo vs. “The Man” (2011-2012)
–Dicework II (2008-2009)
–The Dead (2008)
–Dicework I (2008)
–The Messier Catalogue (2007)
–Brushstroke Diagrams (2006-2007)
–Tell Me What to Paint (2006)
–Miscellaneous (2005-2006)ABOUT:
Lives and works in Vancouver, Canada. Primarily interested in the following: a) Visual and textual lines; b) the antiseptic tempered by a quiver of the handmade; and c) the diagrammatic and/or explanatory, especially when cloaked in ostensible self-importance without necessarily being true, serious business. Adherence to stringent procedural methods allows for an iterative exploration of the above concepts ad infinitum [read more].
–CV
–News
–Contact -
LINKS:
–andthefansroared
–Art for Life
–Art Waste
–bric-à-brac studio
–Christopher Sage
–Cody Rocko
–Copy
–Courtney Johnson
–The Dead 2
–Grand Union
–Hollingworth & Davie
–Jesse Gray
–John Russell
–Jordy Hamilton
–MAKE // BREAK // FIX
–Marina Roy
–Nice Things
–Nick Lakowski
–The Pleasant Matthews
–Tim Dixon
–VerySmallKitchen
–Whispers Project -
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WORK: ink
“This coiled element, oversized beneath the percolator, was an even, rich and deep, yet barely luminous, red. This had the look of silent, uncompromising rage. This terrified me.”
2014. Ink on paper. Installation view, bric-à-brac studio, Toronoto, Canada. Photo by Nadine Maher.
The house without orifices. 2014. Ink on paper. 10.25 x 7.5 in.
“This coiled element, oversized beneath the percolator, was an even, rich and deep, yet barely luminous, red. This had the look of silent, uncompromising rage. This terrified me.”
2014. Ink on paper. 4 x 2 in.
The house without orifices. 2014. Ink on paper. 10 x 7.5 in.
The 6th Annual CARDED Trading Card Art Show
I had a card in Carded! 2014 at Hot Art Wet City in Vancouver, Canada on Saturday, April 26, 2014. I wasn’t able to attend this year, and so I still have in my possession quite a few of the 20 cards allotted each participating artist (see above). The image I used is a detail from this drawing. If you’d like one of the cards, send me an email and I’ll either post it to you or give it to you in person.