DRAWING, WRITING, ETC.:
–New Miscellany (2016-Present)
–A slight so egregious it lingers beyond the dream (2015)
–The House without Orifices
–Oversized Beneath the Percolator
–Bonfire Night (2012)
–Whispers Project (2011-2012)
–Paolo vs. “The Man” (2011-2012)
–Dicework II (2008-2009)
–The Dead (2008)
–Dicework I (2008)
–The Messier Catalogue (2007)
–Brushstroke Diagrams (2006-2007)
–Tell Me What to Paint (2006)
Lives and works in Vancouver, Canada. Primarily interested in the following: a) Visual and textual lines; b) the antiseptic tempered by a quiver of the handmade; and c) the diagrammatic and/or explanatory, especially when cloaked in ostensible self-importance without necessarily being true, serious business. Adherence to stringent procedural methods allows for an iterative exploration of the above concepts ad infinitum [read more].
–Art for Life
–The Dead 2
–Hollingworth & Davie
–MAKE // BREAK // FIX
–The Pleasant Matthews
Site powered by WordPress.
“This coiled element, oversized beneath the percolator, was an even, rich and deep, yet barely luminous, red. This had the look of silent, uncompromising rage. This terrified me.”
2014. Ink on paper. 4 x 2 in.
I’m going to have some drawings in the Art Waste Group Show at Gallery Gachet in Vancouver, Canada. Opening reception is June 5, 2014 at 7pm. The show will be on view until Sunday, June 8. Gallery Gachet is at 88 East Cordova Street, Vancouver, BC V6A 1K3.
An image-text pairing from my Excerpts series is included in CARDED! again this year. This is always a really fun event, featuring the work of 50 artists in trading card form sold in $5 random packs. For one night only mingle and enjoy refreshments while trading cards. Each card is also displayed framed on the gallery walls.
2012. Ink on paper. 10 x 7.5 in.
“Such stringent guidelines governing self-identification may seem arbitrary presently, but he’s borne names prior to this one which did not allow for any hair growth at all. [ . . . ] These are but a few of the instances in which he finds that only specific decisions can ever be made. Fluid identity has not turned out to be the liberation he anticipated.”
2012. Ink on paper. 7 x 7.5 in.