WORK: illustration

Click to enlarge image.A slight so egregious it lingers beyond the dream. ​2015. Ink on paper. 10×7.5 in.

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Click to enlarge image.A slight so egregious it lingers beyond the dream. ​2015. Ink on paper. 10 x 7.5 in.

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Click to enlarge image.

“This coiled element, oversized beneath the percolator, was an even, rich and deep, yet barely luminous, red. This had the look of silent, uncompromising rage. This terrified me.”

2014. Ink on paper. Installation view, bric-à-brac studio, Toronoto, Canada. Photo by Nadine Maher.

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Click to enlarge imageThe house without orifices. 2014. Ink on paper. 10.25 x 7.5 in.

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“This coiled element, oversized beneath the percolator, was an even, rich and deep, yet barely luminous, red. This had the look of silent, uncompromising rage. This terrified me.”

2014. Ink on paper. 4 x 2 in.

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Art Waste Group Show

Click to enlarge image.I’m going to have some drawings in the Art Waste Group Show at Gallery Gachet in Vancouver, Canada. Opening reception is June 5, 2014 at 7pm. The show will be on view until Sunday, June 8. Gallery Gachet is at 88 East Cordova Street, Vancouver, BC  V6A 1K3.

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The Fifth Annual CARDED! Artist Trading Card Show

An image-text pairing from my Excerpts series is included in CARDED! again this year. This is always a really fun event, featuring the work of 50 artists in trading card form sold in $5 random packs. For one night only mingle and enjoy refreshments while trading cards. Each card is also displayed framed on the gallery walls. 

CARDED! is tonight, Saturday April 6, 2013 from 8-11pm at the new Hot Art Wet City space, located at 2206 Main Street, Vancouver, Canada.

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“Malleable identification, as the boy has taken it on, has not been a liberating experience, but it has been a relief.”

2012. Ink on paper. 10 x 7.5 in.

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“Such stringent guidelines governing self-identification may seem arbitrary presently, but he’s borne names prior to this one which did not allow for any hair growth at all. [ . . . ] These are but a few of the instances in which he finds that only specific decisions can ever be made. Fluid identity has not turned out to be the liberation he anticipated.”

2012. Ink on paper. 7 x 7.5 in.

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“To be clear: Those names did not engender relentless pruning regimes. Rather, each name – for the entirety of its active duration – rendered hair growth biologically impossible.”

2012. Ink on paper. 6.75 x 7.5 in.

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