DRAWING, WRITING, ETC.:
–New Miscellany (2016-Present)
–A slight so egregious it lingers beyond the dream (2015)
–The House without Orifices
–Oversized Beneath the Percolator
–Bonfire Night (2012)
–Whispers Project (2011-2012)
–Paolo vs. “The Man” (2011-2012)
–Dicework II (2008-2009)
–The Dead (2008)
–Dicework I (2008)
–The Messier Catalogue (2007)
–Brushstroke Diagrams (2006-2007)
–Tell Me What to Paint (2006)
Lives and works in Vancouver, Canada. Primarily interested in the following: a) Visual and textual lines; b) the antiseptic tempered by a quiver of the handmade; and c) the diagrammatic and/or explanatory, especially when cloaked in ostensible self-importance without necessarily being true, serious business. Adherence to stringent procedural methods allows for an iterative exploration of the above concepts ad infinitum [read more].
–Art for Life
–The Dead 2
–Hollingworth & Davie
–MAKE // BREAK // FIX
–The Pleasant Matthews
Site powered by WordPress.
“After wasting several hours working on this musical project, Nathaniel realizes that there is no possibility of ever listening to a completed version of the track. For the music to become infinitely slower as playback progresses, it can never reach its end. To listen to the work in progress would be to listen to something both incomplete and complete at the same time. The unfinished project has not accomplished what is intended of it, and yet it will play to a point of completion. The completed project has attained a goal, a conclusion, but an infinite repetition of technique is required of Nathaniel to enact the proposed design. To declare “done” is to quit the project. In all ways conceivable, the work can never be finished. To listen to it at any stage, no matter how close – or not close – to being what he wants it to be, is indicative of failure.”
2011. Ink on paper. 8.5 x 6.75 in.
This image-text pairing originally appeared on VerySmallKitchen as part of a 3-month online residency.