Roll a single die and carry out the instruction from the list below that numerically corresponds to the result of the roll. This ruleset is exempt from any restrictions imposed upon it by the Meta-Ruleset.
A roll of:
-1: Draw a Sierpinski Gasket freehand with as much detail as possible.
-2: Draw a Sierpinski Gasket freehand with as much detail as possible.
-3: Make a diagram explaining the perceived forces upon the body during the hypnagogic hallucinations experienced while attempting to induce a lucid dream.
-4: Make a diagram explaining the perceived forces upon the body during the hypnagogic hallucinations experienced while attempting to induce a lucid dream.
-5: Make a drawing or painting that is both delicate and repulsive.
-6: Make a painting by following the instructions for one of the exercises found in Color in Watercolor by Wendon Blake.
After carrying out the instruction, remove it from the above list. Redistribute the now vacant numbers amongst the remaining options. Roll again. Carry out the instruction from the new list that numerically corresponds to the result of the roll.
DRAWING, WRITING, ETC.:
–New Miscellany (2016-Present)
–A slight so egregious it lingers beyond the dream (2015)
–The House without Orifices
–Oversized Beneath the Percolator
–Bonfire Night (2012)
–Whispers Project (2011-2012)
–Paolo vs. “The Man” (2011-2012)
–Dicework II (2008-2009)
–The Dead (2008)
–Dicework I (2008)
–The Messier Catalogue (2007)
–Brushstroke Diagrams (2006-2007)
–Tell Me What to Paint (2006)
Lives and works in Vancouver, Canada. Primarily interested in the following: a) Visual and textual lines; b) the antiseptic tempered by a quiver of the handmade; and c) the diagrammatic and/or explanatory, especially when cloaked in ostensible self-importance without necessarily being true, serious business. Adherence to stringent procedural methods allows for an iterative exploration of the above concepts ad infinitum [read more].
–Art for Life
–The Dead 2
–Hollingworth & Davie
–MAKE // BREAK // FIX
–The Pleasant Matthews
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