-
DRAWING, WRITING, ETC.:
–New Miscellany (2016-Present)
–Drawing Group (2015-Present)
–A slight so egregious it lingers beyond the dream (2015)
–The House without Orifices
(2014)
–Oversized Beneath the Percolator
(2014)
–Untitled/Unpictured (2013-2014)
–Excerpts (2007-2012)
–Bonfire Night (2012)
–Whispers Project (2011-2012)
–Paolo vs. “The Man” (2011-2012)
–Dicework II (2008-2009)
–The Dead (2008)
–Dicework I (2008)
–The Messier Catalogue (2007)
–Brushstroke Diagrams (2006-2007)
–Tell Me What to Paint (2006)
–Miscellaneous (2005-2006)ABOUT:
Lives and works in Vancouver, Canada. Primarily interested in the following: a) Visual and textual lines; b) the antiseptic tempered by a quiver of the handmade; and c) the diagrammatic and/or explanatory, especially when cloaked in ostensible self-importance without necessarily being true, serious business. Adherence to stringent procedural methods allows for an iterative exploration of the above concepts ad infinitum [read more].
–CV
–News
–Contact -
LINKS:
–andthefansroared
–Art for Life
–Art Waste
–bric-à-brac studio
–Christopher Sage
–Cody Rocko
–Copy
–Courtney Johnson
–The Dead 2
–Grand Union
–Hollingworth & Davie
–Jesse Gray
–John Russell
–Jordy Hamilton
–MAKE // BREAK // FIX
–Marina Roy
–Nice Things
–Nick Lakowski
–The Pleasant Matthews
–Tim Dixon
–VerySmallKitchen
–Whispers Project -
Site powered by WordPress.
WORK: afl11
“He stubbornly continues to explore the room in a systematic fashion. He may be falling to the lower floor a little too frequently, but he expects the tumbles would occur even more often if he were to simply fumble about through the darkness. He won’t entertain the notion that he could be wrong.”
2011. Ink on paper. 9 x 6 in.
“He wonders why Nathaniel is carrying such a large blade strapped to his back. The residents of the settlement had unequivocally indicated that there is nothing living below. Nathaniel, on the other hand, believes this explorer’s ‘damsel’ is the very evil the blade is intended to vanquish.”
2011. Ink on paper. 9 x 6 in.
“Neither of them truly understands what went wrong. But they start over, turn the thing on its head, make a few intuitive adjustments, and before long it starts to resemble what they’d originally intended.”
2011. Ink on paper. 6 x 9 in.
“The problem wasn’t the equipment. They’ll have to rethink the experiment.”
2011. Ink on paper. 6 x 9 in.
“He is sacrificing persistent identity for the sake of being able to function in the here and now without the impediment of background determination. This is both what he is doing and why, both action and motivation.”
2011. Ink on paper. 6 x 9 in.
“And what of his differentiation between running with the present and running toward the future, are they actually two separable states?”
2011. Ink on paper. 6 x 9 in.