VSK Residency Repost 1

“Nathaniel awakes early this morning. He sits up on the edge of the bed and looks around his minuscule broom closet of a bedroom. Today he finds himself paying close attention to the unoccupied space of the room’s carpeted floor. Nathaniel recalls once telling a friend that he didn’t need much more living space than the minimum area required for him to do a pushup on the ground. This morning he gets down on all fours beside his bed to test if his current digs meet the criteria set forth by a younger, different Nathaniel. He finds it so happens there is exactly enough space for him to do pushups comfortably. But Nathaniel has never done a pushup in his entire life.”

2011. Ink on paper. 9.5 x 6.25 in.

This image-text pairing originally appeared on VerySmallKitchen as part of a 3-month online residency.

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Excerpts. 2009. Installation view: I Heart Van Art. 2010. Chapel Arts, Vancouver, Canada.

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Excerpts. 2009. Installation views: The Dead 2. 2009. Great Northern Way Campus, Vancouver, Canada. Photos by Jordy Hamilton.

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Copies of my card from CARDED! 2012 recently arrived in the mail. They feature a downscaled image from this Excerpts entry on the front, and an abridged version of its text on the back. I have some extras. If you’d like one, contact me and I’ll mail you a card.

Photos from the show are now online. I didn’t anticipate being able to attend the event, but I managed to make it down for the last hour or so. It was a really fun evening with a great turnout, and there was some excellent art and illustration for trade and on display.

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CARDED! The Art of 50 artists reproduced on trading cards: April 21, 2012

An image-text pairing from Excerpts will be available in trading card form at this year’s CARDED! An annual event since 2009, CARDED! Trading Card Art Show features the work of fifty artists reproduced on 2.5 x 3.5 in. cards, which are sold in $5, randomised five-packs the evening of the exhibition. For one night only trade cards while mingling and enjoying refreshments. Each card will also be displayed framed on the gallery walls.

The 2012 CARDED! is this Saturday, April 21 from 8-11pm at Gallery Gachet, which is located at 88 East Cordova Street, Vancouver, BC, V6A 1K3.

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A Whisper at the Hotel Del Mar. 2012. 553 Hamilton Street, Vancouver, Canada.
Photos by Lina Fitzner.

THE MORNING OF THE SALE, EVERYONE WAS OUT THERE WAITING FOR THE DOORS TO OPEN. THEY ALL WANTED WHAT THEY’D SEEN IN THOSE PICTURES.

Whispers Project has updated its website with details about A Whisper at the Hotel Del Mar, a mural in Downtown Vancouver featuring text I wrote. Whispers Project explains that:

The Del Mar is a hotel downtown at 553 Hamilton Street well known for the owner’s stance that the building remain dedicated to providing low-income housing. It is also currently home to the Or Gallery, a foundational artistic institution in Vancouver, and already features a beautiful text piece by artist Kathryn Walter which emblazons the words “Unlimited growth increases the divide” across the building’s face.

Whispers Project is a series of typographic murals located around Vancouver, and is coordinated by Eli Horn and Jordan Bent in collaboration with local writers. The project is primarily concerned with expression and public space:

The Whispers were designed to reference the scale and style of commercial hand-lettering, but intended to communicate creative content instead of the commercial sales pitch. Enabled by barriers of economy and policy, the medium of advertising appears to have monopolized the realm of large-scale public communication. Despite the term ‘public space’ being commonly accepted as equating a sort of commons of the people, most of the physical property in our city is either privately owned, or highly regulated. While plenty of space has been made available for voices willing to pay (namely advertisers), the simple expression of an individual without economic means is rendered illegal.

There are currently two Whispers, and more are planned. Further information about each mural – as well as a map marking their locations – is available on the Whispers Project website.

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“Golden, early evening sunlight casts a reflection of the duvet upon the inside of the windowpane. Seen within this semitransparent mirror image is a sizeable shadow slowly, and silently, pacing to and fro across the surface of the duvet. But, no such shadow darkens the real, physical duvet. Certainly, nothing is moving, nor present, in the room (nor outside the window) to act as the source of the shadow. The only one there is the boy beneath the duvet.”

2012. Ink on paper. 7 x 7 in.

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A Pigeon, A Kitchen and an Annexe: Sites of Alternative Publishing

An image-text pairing from my Excerpts series appears as a part of VerySmallKitchen’s contribution to the exhibition A Pigeon, A Kitchen and an Annexe: Sites of Alternative Publishing at Five Years in London, UK.

The nostalgic gesture of intentionally translating an up to date medium into its low-fi predecessor is the starting point for this exhibition: why use letraset when you can pick up any font off a drop down menu? Why publish books in the age of WordPress? A Pigeon, A Kitchen and an Annexe: Sites of Alternative Publishing invites you to step into the world of a bustling “press room” devoid of wi-fi: a scene created specifically for this show.

For this exhibition The Ladies of the Press* invites Annexe Magazine, Pigeon Magazine, and VerySmallKitchen to probe their practice as alternative publishers in a gallery context, collectively working towards multifarious outlets including a gallery exhibition, a publication, talk, and eventually a web based dispersal.

Photo by David Berridge.

David Berridge of VerySmallKitchen writes, in an open letter, on the inclusion of my piece from Excerpts:

I think one starting point for this project was the small card you sent me of one of the image-text pieces from your residency on the VerySmallKitchen blog. I was interested in the equal emphasis on both sides of this card (the image on one side/text the other), and how – unlike the blog post’s downward scroll – to read the card required turning over, one side concealing the other in order to be comprehended.

A Pigeon, A Kitchen and an Annexe: Sites of Alternative Publishing is on view till March 4, 2012 at Five Years. The gallery is open Saturday-Sunday, 1-6pm and is located at Unit 66, 6th Floor, Regent Studios, 8 Andrews Road, London, UK, E8 4QN.

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“[ . . . ] what might make a grown man switch to saying ‘afterward’ after a lifetime of saying ‘afterwards?’”

2012. Ink on paper. 7 x 6 in.

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Bonfire Night. 2012. 1536 × 2048 px.

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